感谢Tyneside让我在这middle of nowhere看到了戈达尔一起学习之所有存在是因为世界上只有一个戈达尔所以在这样一部film essay的背后被解构的主体只能是他自己因而影像里所有的碎片其实都是一种动态表达当观众在观看的时候他们已经在想象一场虚拟的对话:它不是就是这样展现给你看的你必须得参与进去才能得到它这才是一起学习的有趣之处
一切都有点太浮在表面…也许我对一些美国喜剧的过低评价骨子里还是因为自己对美国文化缺少认同Pic’s first hour, which is devoted to one year (1977), is nothing short of brilliant, both narratively and technically. But subsequent chapters, which become increasingly shorter, and numerous subplots and secondary characters make the saga too sprawling and a bit too messy for its own good.(VARIETY)