possibly too on the nose but an argument could be made about the zombies of late capitalism as flâneurs enslaved by the gaze towards commodities, their "memory" driving them back to the mall as usual habitat for the postmodern subject, only it is not so much subjective or agential memory as it is physical movement corporeally inscribed into the rhythm of everyday
月儿:61.235.233.1
非常学院派的mise-en-scene好几个镜头都让人拍案叫绝但是整个故事就是东方幻想一个低眉顺眼、任劳任怨的越南女佣终于用她的善良和美丽获得了爱情和稳定的经济来源批了东方皮的辛德瑞拉(讽刺的是这就是在包装成越南的法国拍出来的)war and revolution remain offscreen一起来看流星雨第二集是否换了法国中产阶级知识分子(或者说BOBO - bourgeois bohemian)会心一笑寡言少语(或者说失声)的梅在钢琴家的帮助下(字面意义兼隐喻地)找到了自己的声音正如法国人试图用殖民将野蛮文明化这种不加掩饰的举动让人触目惊心在故事接近尾声的阶段夜不能寐的钢琴家走进了梅黑暗的卧室他把门关上了这种好莱坞惯用的省略现在让人毛骨悚然