喜欢最后两个段落前面有些空洞中国好声音之为你转身尤其轨道长镜头(从戈达尔学的吧)和毫无铺垫的独白这些形式主义的东西不但没有让影片增色反而显得露怯没有了[Je Tu Il Elle]的锐气取而代之的是疲倦和困惑这应该也是凭[Jeanne Dielman]名声大噪后阿克曼的真实写照吧近乎黑色电影的布景和摄影以及对德国现代主义建筑的呈现非常精彩
It's the sense of touch. Any real city, you walk, you know? You brush past people. People bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much that we crash into each other just so we can feel something