作为Insidious系列和The Conjuring的摄影能感受到John R. Leonetti的诚意只是所有的吓点的处理都过于cliche恶魔在关门的瞬间冲进来的那个镜头韩国电影重庆是我全片最爱从氛围到配乐处处是温子仁的影子特别喜欢故事浓浓的年代感搜了之后才发现导演居然还是Tales From The Crypt的摄影
德里达:“In general, I try and distinguish between what one calls the Future and 'l'avenir' (the 'to come').The future is that which—tomorrow,later,next century—will be. There is a future which is predictable, programmed,scheduled,foreseeable. But there is a future, 'l'avenir' which refers to someone who comes whose arrival is totally unexpected."