make a choice(时时刻刻每集都想大喊:这种关头了教授别谈恋爱了啊喂(还有喜欢柏林的都是些什么情况呀:自大厌女又整天满嘴废话关键时刻不那么混蛋——这可不是加分项兔子三秒抽搐倒下gif只是做了它应该做的事情好吗—— 一个男的该有的基本的担当;喜欢柏林的怕不是也有些斯德哥尔摩(其实是另外两个小男主他不香吗柏林真的是无力吐槽
摇摆于纪录片和真实电影之中retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc, “before it was too late,” reconstructing her impressions in the manner of a documentary on the border of fiction. By filming “everything that touched me,” Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Unfolding without dialogue or commentary, FROM THE EAST takes the form of a cinematic elegy.