black beauty没有像斯皮尔伯格《双生陌生人》一样经受过那么多的苦难即使有导演也没有将这些苦难放大以第一人称来讲马自己的故事更具有人性的色彩哆啦a梦之大雄与铁人兵团与各个主人和心爱的女马有各种各样的离别有的离别真的让人心痛尤其是黑马看到黄马的尸体被拉到屠宰场
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Driven almost entirely by dialogue, full of Mankiewiczian wit, a portrayal of power struggle between the creative and the institutional. Is the lovable loser really a lost genius or is he just beating on a dead horse?