5 How Can We Hang On To A Dream 愛情和革命一樣本質上都是危險的賭注Petzold真的是天才, 把少女的青春叛逆和德國近代史的左派紅軍的流亡limbo狀態兩條主題巧妙地融合在一起而推動劇情發展的金錢則是他一貫對資本主義的解構和批評以低成本和極少演員就成功渲染那種流亡無根的恐懼狀態在Transit裡會再度重現最後結局的車禍則是Yella的預演同樣是孤身一人無家可歸的女主角不過Jeanne似乎會走向毀滅後的重生 ps. Petzold的女主角都長了張成熟掛冰美人的臉
The ball finally fell back, but he didn't lose, he won, with a little luck, as an excellent tennis player. This ending fantastically denied the statement at the beginning of the movie. Shit, I am fooled by WA again.